Characteristics of Movement of Klana Mask Dance Susunan Sunarno Purwolelono
Abstract
The birth of the "Klana Mask" dance as an artist's creativity is inseparable from the mental condition of the creator, both individually and in certain groups or communities, so that the dance that is born is a reflection of the character of the creator or reflection of the society in which the dance grows. This study aims to find out, describe and analyze the characteristics of the dance movements of Klana Mask, the composition of traditional dance artists, namely Sunarno Purwolelono. The data obtained are qualitative data obtained from observations, document studies, and in-depth interviews with informants. Motion analysis is carried out by using the Labanotation system (laban notation), to get a clear and detailed description of the movements in Klana Mask dance that contain characters in each variety of motion. The results of the study show that the characteristic of Klana Mask dance in Sunarno's arrangement is the strength of the junjungan feet, jojoran, and the lumaksana jajag. Various kinds of atmosphere displayed in Klana Mask dance include: gandrung, enthusiasm as a king, dashing, and bregas. The dance character's character is dashing, dashing, brave, bregas, and bregas cakrak. In Klana Sunarno Mask Dance includes elements of Sasanamulya's style of dance which has the characteristics of always being sigrak, dynamic, paying attention to motion techniques, large volumes of motion and giving dancers thefreedom to interpret.
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