The Enchantment of the Loh Boyo Dance Performance by Srimpi Dance Studio in Pemalang Regency

Abstract

This research aims to explain the form of performance and investigate the aesthetic appeal of the Loh Boyo dance at the Srimpi Dance Studio in Ampelgading District, Pemalang Regency. The study uses a qualitative method along with an ethnochoreology approach. The theoretical concepts applicable in this research include the theory of performance form by Soedarsono, the theory of performance aesthetics by Jazuli, and the theory of agency by Alfred Gell. The data collection methods used are observation, interviews, and documentation. To get the validity of data, triangulation of sources and methods was used, and data were analyzed by employing data reduction, data display, and drawing conclusions. The research findings indicate that the Loh Boyo dance performance comprises nine core working components theme, dancers, movements, accompaniment, costume, makeup, floor patterns, performance space, and lighting. The beauty of the Loh Boyo dance is represented by the unique movements dictated by the crocodile-like motion, a diverse pattern on the floor, energetic music, and original costumes, which help to create a powerful visual impression and aesthetic worth. These characteristics intensify the emotional appeal of the audience and symbolize the cultural recommendations of the coastal community in the Ampelgading district.