Acculturation and Uniqueness of Barongan Juwangi: A Study of Form, Performance, and Cultural Values

Abstract

This study examines Barongan Juwangi as a form of folk art in Juwangi District, Boyolali Regency. The research focuses on mask design, its development and acculturation, shifts in performance patterns, and the cultural values the artist upholds. The study used a descriptive qualitative approach, drawing on primary data from interviews with three Barongan performers and two members of the Barongan Juwangi community, including Taufik Agung, leader of the Setyo Budoyo Juwangi group. The findings indicate that the Barongan Juwangi mask design is influenced by the Blora style, characterized by pointed wooden masks, hair made from sugar palm fibers (shorter at the front and thicker at the back), and prominent fangs. The art form originated in Barongan Kepruk as a test of strength before transforming into a dance performance to prevent its decline. Over time, the Setyo Budoyo group has incorporated elements from the Juwangi, Blora, and Temanggung styles. Its cultural values are reflected in preserving tradition, community solidarity, pre-performance rituals, and creative changes in dance patterns and accessories. Today, Barongan Juwangi mainly serves as entertainment and part of local cultural identity, helping strengthen the community’s sense of identity and belonging.