THE SEMIOTICS OF SANDUNG AS A LOCAL CULTURAL IDENTITY OF THE HINDU KAHARINGAN COMMUNITY IN PALANGKARAYA CITY

Abstract

This study explores the semiotics behind the Sandung as a local cultural identity for the Hindu Kaharingan community residing in Palangkaraya City. Sandung is a designated repository for the bones of the died human being, the post-placement of bones is started through performing the Tiwah event. The laws and structural parts of Sandung, both direct and indirect, are carved in relief and ornamented with sculpture or pictures based on a variety of symbols linked to local wisdom. There are key symbols which have a philosophical significance that is further directly related to Hindu worship. The existence of Sandung encompasses interrelated concepts of art and religion, serving not only as a sacred place but also as an important marker of the local cultural identity of the Hindu Kaharingan community in Palangkaraya City. This research uses a qualitative method with a phenomenological approach, employing data collection techniques such as observation, interviews, documentation, and relevant literature review. The findings indicate that Sandung as a cultural identity of the Hindu Kaharingan community in Palangkaraya City is divided into two aspects: the form and meaning of Sandung as a local cultural identity. The philosophical values contained within Sandung affirm its role as a cultural identity of the Hindu Kaharingan community in Palangkaraya City. Based on the analysis results, this research is expected to contribute and add to the knowledge for the preservation of the local culture of the Hindu Kaharingan community in Palangkaraya City.