GALOMBAN DANCE IN THE CONTEXT OF SOCIAL CULTURE CHANGE IN THE CITY OF PADANG

Abstract

An object can only be a work of art as long as there are social relations that place it in that position, and social relations are never sterile from ideology and political-economic interests, so the autonomy of art is a figment. Whether we realize it or not, admit it or not, art is part of the process of social change. Here the evaluation criteria for the quality of works of art also shift. A work of art is essentially a form of social relationship, so the most intrinsic evaluation criterion for it is the extent to which the work is able to present the most intense experience of social relationship. The Galombang dance has been transformed into the creative Galombang dance, which is dominated by female dancers as performers. Today, female domination begins with dancer and host Carano. An object can only be a work of art as long as there are social relations that place it in that position, and social relations are never sterile from ideology and political-economic interests, so the autonomy of art is a figment. Whether we realize it or not, admit it or not, art is part of the process of social change. Here the evaluation criteria for the quality of works of art also shift. A work of art is essentially a form of social relationship, so the most intrinsic evaluation criterion for it is the extent to which the work is able to present the most intense experience of social relationship. The Galombang dance has been transformed into the creative Galobang dance, which is dominated by female dancers as performers. Today, female domination begins with dancer and host Carano.