THE AESTHETICS OF VISUAL ART IN P. RAMLEE’S WORK: URAT DAWAI TULANG BESI

Authors

  • Mohd Khairy bin Mohd Kamal UCYP University
  • Norbayanti binti Abu Bakar UCYP University
  • Muhammad Helmi bin Muhammad Khir UCYP University

Keywords:

Aesthetics, P. Ramlee, Semiotics, Iconography

Abstract

This study examines the aesthetic elements of visual art in P. Ramlee’s works. The approach not only recognizes the artistic significance of the nation’s cinematic heritage but also underscores its relevance in inspiring innovative expressions in contemporary visual art. Adopting a qualitative methodology, the study centers on visual analysis grounded in semiotics and iconography, with close observation of symbols and aesthetic structures in selected scenes. To support the analysis, interviews were conducted with art experts and film researchers. The findings reveal that semiotic and iconographic elements can be creatively adapted into sculptural works, enriching their aesthetic value and contributing to new narratives in sustainable art. Moreover, cultural symbolism and colour composition in P. Ramlee’s works were effectively integrated into the sculptures, enhancing their aesthetic quality and strengthening the visual messaging of the artworks.

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Published

2025-12-29

Issue

Section

Articles